Alex Katz
-
Alex KatzAda 1, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 10, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 2, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 3, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 4, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 5, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 6, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 7, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzAda 8, 2022Silkscreen40 1/2h x 54w inEdition of 100Signed and dated
-
Alex KatzAda 9, 2022Silkscreen54h x 40 1/2w inEdition of 100Signed and dated
-
Alex KatzHalsey, 2022Archival pigment ink print on Innova Etching Cotton Rag 315 gsm86 x 40 inches44/50Signed & numbered
-
Alex KatzStraw Hat 1, 2022Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper36 x 36 inches22/150Signed & numbered
-
Alex KatzStraw Hat 3, 2022Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper75 1/2 x 42 inches82/100Signed & numbered
-
Alex KatzSunrise 1, 2022Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 gsm54 x 40 1/2 inches87/100Signed & numbered
-
Alex KatzAriel (Diptych), 2021Silkscreen on 425 gsm paper60 x 37 ins 152.4 x 93.98 cm
-
Alex KatzAriel (Diptych), 2021Silkscreen on 425 gsm paper60 x 37 ins 152.4 x 93.98 cm
-
Alex KatzPorcelain Beauty 1, 2021Porcelain Enamel mounted on Aluminum24 x 20 5/8 ins 60.96 x 52.7 cm
-
Alex KatzRed Dogwood 2, 2021Innova Etching on Cotton Rag 315 gsm47 x 34 ins 119.38 x 86.36 cm
-
Alex KatzRefections 2, 2021Archival Pigment ink on innova Etching47 x 39 1/2 ins 119.38 x 100.33 cm
-
Alex KatzStraw Hat Vivien, 2021Silkscreen in Colors on Saunders 425 gsm paper80 x 44 ins 203.2 x 111.76 cm
-
Alex KatzSunrise, 20216 run lithograph, woodcut46 x 34 4/8 ins 116.84 x 87.88 cmSigned in pencil
-
Alex KatzSunrise, 2020Archival pigment ink on Innova etching55 x 42 ins 139.7 x 106.68 cm
-
Alex KatzSunset 1, 2020Archival pigment ink on Innova etching55 x 42 ins 139.7 x 106.68 cm
-
Alex KatzSunset 2, 2020Archival pigment ink on Innova etching42 x 46 ins 106.68 x 116.84 cm
-
Alex KatzSunset 3, 2020Archival pigment ink on Innova etching39 x 70 ins 99.06 x 177.8 cm
-
Alex KatzTwilight, 2020Archival pigment ink on Innova etching40 x 88 ins 101.6 x 223.52 cm
-
Alex KatzCoca Cola Girl 2, 201919-color silkscreen on Saunders Waterford High White HP 425 gsm fine art paper40 x 60 ins 101.6 x 152.4 cm
-
Alex KatzCoca Cola Girl 3, 201920-color silkscreen on Saunders Waterford High White HP 425 gsm fine art paper40 x 50 ins 101.6 x 127 cm
-
Alex KatzCoca Cola Girl 4, 201918-color silkscreen on Saunders Waterford High White HP 425 gsm fine art paper40 x 50 ins 101.6 x 127 cm
-
Alex KatzAda (Outline), 2018Polished aluminum on bronze patina base...engraved with artist signature on the top; stamped underneath.24 1/2 x 15 x 5 ins 62.23 x 38.1 x 12.7 cm
-
Alex KatzAda ( From Smiles 2), 2017Archival pigment inks on crane Museo Max 365 gsm paper30 x 21 5/8 ins 76.2 x 55.24 cmSigned and numbered in pencil by the artist lower left.
-
Alex KatzCecily from Black Dress, 2017Printed aluminum sculpture24 1/8 ins 61.28 cmSiigned on the base by the artist. Numbered and stamped on the bottom of the base.
-
Alex KatzMarissa, 2017Woodcut/Linocut21 5/8 x 65 1/2 ins 55.24 x 166.37 cmEdition of 42Hand signed and numbered in pencil
-
Alex KatzUlla from Black Dress, 2017Printed aluminum sculpture23 6/8 ins 60.33 cmSiigned on the based by the Artist. Numbered and stamped on the bottom of the base.
-
Alex KatzAriel (Black and White), 2016Aluminum Sculpture28 x 60 x 1 ins 71.12 x 152.4 x 2.54 cm
-
Alex KatzAriel-Black/White, 2016Screenprint36 x 76 ins 91.44 x 193.04 cm
-
Alex KatzChristine from Six Portraits, 2013Etching30 x 34 ins 76.2 x 86.36 cm
-
Alex KatzElizabeth I from Six Portraits, 2013Etching30 x 34 ins 76.2 x 86.36 cm
-
Alex KatzElizabeth II from Six Portraits, 2013Etching30 x 34 ins 76.2 x 86.36 cm
-
Alex KatzElizabeth III from Six Portraits, 2013Etching30 x 34 ins 76.2 x 86.36 cm
-
Alex KatzJavier from Six Portraits, 2013Etching30 x 34 ins 76.2 x 86.36 cm
-
Alex KatzMeghan from Six Portraits, 2013Etching30 x 34 ins 76.2 x 86.36 cm
-
Alex KatzBella, 1972Lithograph in 6 colors34 x 24 ins 86.36 x 60.96 cm
-
Alex KatzRosebudArchival pigment inks on Crane Museo Max 365 gsm fine art paper44 x 33 inEdition of 100signed and dated by the artist
Alex Katz
A prominent figure within the pop art movement, most noted for figurative art which included sculpture, paintings, and print is American artist and Brooklyn native Alex Katz, born on July 24th, 1927. His work is most famous for its use of flat blocks of color and for using portraits of loved ones and nature. His style is a bit more subdued than what most people consider pop art, but it is still vivid and colorful enough with enough abstract styling to make Katz one of the figureheads for the pop art movement.
His family was born in Soviet Russia but moved to New York City and had a rather normal childhood. However, it wouldn’t be until Alex Katz attended the renowned Skowhegan School of Painting and Sculpture where he started to develop his true voice within the art community, especially with the usage of natural elements in his landscapes, portraits, and sculptures. Skowhegan is also where Alex Katz developed beyond his inspiration of Jackson Pollock and Willem de Kooning within his work, utilizing smaller brush strokes that added more flair to the overall piece.
Shortly after graduation, he began immensely focusing on his artwork. So much so did his time at Skowhegan influence him that every summer Alex Katz leaves his SoHo flat for the calmness and nature of Lincolnville, Maine, where he has been a part-time resident since the 1950s. It is also where Katz would meet his wife and eventually have his only son, Vincent Katz. Not only did Alex Katz work on his paintings, but he also delved into large landscape paintings, sculpture, and even collages of the Maine lifestyle that he grew to love so much over the years.
Throughout the 1950s and 1960s, he remained a staple within the pop art movement with his simple yet provoking artwork. However, Katz would destroy his own work while trying to find his own voice within the paintings, and has expressed in interviews that he more than likely destroyed upward of one thousand paintings and pieces.
In the 1970s, Alex Katz would eventually find himself doing more and more collages, set designs, and printmaking pieces – especially on woodblocks that he would layer with materials to give a special 3D effect. His work led to huge, completely engrossing solo exhibits where Alex Katz transported viewers into his own world and landscapes both figuratively and literally. His works can be found throughout New York City, Maine, Ireland, and dotted all across Europe as staple pieces for any pop art appreciator out there.
Only a portion of our Alex Katz Prints are represented online. Please contact us if you are looking for something special.
-
VFA at The Palm Beach Modern + Contemporary International Fair
March 21, 2023Vertu Fine Art will be at the Palm Beach Modern + Contemporary International Fair held at the Palm Beach Convention Center from March 23 through March 26, 2023. This is the sixth edition of of South Florida’s most celebrated winter art fair.Read more -
Tyler Hobbs' New Algorithm, Alex Katz "Controls the Space"
February 20, 2023Generative artist Tyler Hobbs has been experimenting with a new algorithm called QQL, that he developed with fellow generative artist Dandelion Wist. The new works were created with a plotter and painted by hand after their creation with QQL. Hobbs will be exhibiting new works at the Pace gallery in New York.Read more -
Alex Katz and His Muse: “To Paint What’s in Front of You”
May 24, 2019Ada was working as a research biologist at Sloan Kettering in the fall of 1957. She had recently returned from studying tumor genetics in Milan on a Fulbright when she walked into the Tanager Gallery for the opening night of an art exhibit. Alex Katz’s art was on the walls. The two met. She still maintains she was shy about visiting galleries. He’s adamant she was already a legend in the New York City art-world.Read more -
The Masters Behind the Matrix: Fine Art Prints at VFA
April 16, 2019At Vertu, we are dedicated to the acquisition of, and education about, fine art prints. Fine art printmaking is both an art and a science. Over the centuries, artists have created masterful artworks on wood, copper and other matrixes to turn into high quality prints. The collaboration between artists and master printers often determines the quality of the work and, at times, the trajectory of an artist’s career.Read more -
Alex Katz Black Dress and White Flowers at Vertu
April 26, 2016We are pleased to announce our acquisition of works from Alex Katz’s Black Dress series. These large silkscreens, each 80 X 30 inches, reflect Katz’s powerful sense of style and color. Based on paintings that he did on door panels, each print depicts one of his muses, casually posed in a black dress. Katz minimalist approach to subject is deceptively simple. Each of his Black Dress silkscreens is printed in 25 to 35 colors.Read more