Roy Lichtenstein

Works
  • Roy Lichtenstein, Cubist Cello, 1997
    Roy Lichtenstein
    Cubist Cello, 1997
    Original screenprint in colors on Somerset paper
    51 × 39 1/2 in
    Edition of 75
    Hand-signed and dated by Dorothy Lichtenstein with the estate stamp
  • Roy Lichtenstein, Reflections on Minerva (c.244), 1990
    Roy Lichtenstein
    Reflections on Minerva (c.244), 1990
    Lithograph, Screenprint, and 3D collage on paper
    42 x 51 3/4 in
    106.7 x 131.4 cm
    Edition of 64/68
    Signed, Numbered, and Dated
  • roy Lichtenstein, Blue Face from the Brushstroke Figures Series , 1989
    roy Lichtenstein
    Blue Face from the Brushstroke Figures Series , 1989
    Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper
    54 x 33 1/2 in
    137.2 x 85.1 cm
    54/60
    Signed numbered and dated in pencil
  • Roy Lichtenstein, Green Face, 1989
    Roy Lichtenstein
    Green Face, 1989
    Color lithograph, waxtype, woodcut, and screenprint on cold-pressed Saunders Waterford paper
    59 x 41 in
    149.9 x 104.1 cm
    PP.II
    Signed, dated, and numbered in pencil
  • Roy Lichtenstein, Imperfect Diptych ( Corlett 225), 1988
    Roy Lichtenstein
    Imperfect Diptych ( Corlett 225), 1988
    Woodcut, screenprint, and collage on Archivart 4- ply Museum Board
    57 7/8 x 93 5/8 ins 147.2 x 238.1 cm
    8/45
    Numbered, signed (rF Lichtenstein) and dated (88) in pencil. Lower right Blindstamp, l
  • Roy Lichtenstein, Imperfect Diptych (C. 225), 1988
    Roy Lichtenstein
    Imperfect Diptych (C. 225), 1988
    21 color woodcut, screen print, and collage
    57 7/8 x 93 3/4 in
    147 x 238.1 cm
    8/45
    Signed numbered and Dated by the artist
  • Roy Lichtenstein, Forms in space (Corlett 217), 1985
    Roy Lichtenstein
    Forms in space (Corlett 217), 1985
    Screenprint on Rives BFK Paper
    35 3/4 x 52 in
    90.8 x 132.1 cm
    125/125
    Signed, dated and numbered in pencil
  • Roy Lichtenstein, Painting on Blue and Yellow Wall ( corlett 208), 1984
    Roy Lichtenstein
    Painting on Blue and Yellow Wall ( corlett 208), 1984
    Woodcut, lithograph on Arches 88 Paper
    47 1/4 x 31 5/8 in
    119.9 x 80.3 cm
    43/60
    Signed, dated and Numbered
  • Roy Lichtenstein, I Love Liberty, 1982
    Roy Lichtenstein
    I Love Liberty, 1982
    Screenprint on Arches 88 paper
    38 2/8 x 27 1/8 ins 97.47 x 68.9 cm
  • Roy Lichtenstein, Modern print (Corlett 103), 1971
    Roy Lichtenstein
    Modern print (Corlett 103), 1971
    Lithograph and screenprint on special arjomari Paper
    height 31 in
    height 78.7 cm
    200
    Signed and Numbered
  • Roy Lichtenstein, Crying Girl (Corlett II.1 ), 1963
    Roy Lichtenstein
    Crying Girl (Corlett II.1 ), 1963
    Offset Lithograph on light weight off white Wove Paper
    18 x 24 in
    45.7 x 61 cm
    Hand signed in pencil lower right.
Biography

Roy Lichtenstein

There were countless facets to the pop culture movement during the 1960s beyond the iconic pieces of Andy Warhol and many other well-known artists. In fact, there was a particular artist who loved the movement so much that he brought elements from comic books and other aspects of popular culture in order to create highly colorful and thought provoking, tongue-in-cheek pieces of artwork. Born in New York City on October 27th, 1923, Roy Lichtenstein would make it acceptable to consider comic book coloring, shading, and other elements legitimate art.

 

This affinity with the pop art movement and the style he became so well-known for began at an early age. Lichtenstein was always interested in comic books, science, and otherwise kept to himself with such hobbies. However, during his teenaged years, he started to develop an interest in the creation of the artwork within the comic books and started to learn how to paint. Lichtenstein would eventually attend Ohio State University but was suddenly drafted into World War II and wasn’t able to finish his degree.

 

Lichtenstein never gave up on painting and after his tour was over in the military, he immediately returned to Ohio State University and finished up his Bachelors in the arts. Roy would stay around campus and finish up his Masters and teach art classes at Ohio State University. This didn’t deter him to continue working on his own pieces and creating interesting paintings inspired strongly by great artists such as Pablo Picasso and others. Lichtenstein enjoyed Americana fiction, oftentimes depicting noir drama and the landscape of the west with cowboys throughout the 1950s.

 

After some time, Rutgers University offered Lichtenstein a teaching position on their campus. He accepted and it was during this time he was first exposed to the pop art movement and everything it brought. It was the 1960s, full of color and expressionism, and Roy took in every bit of pop art that he could. Eventually, this led him to create his own pop art pieces that would become staples in the community for their unique style.

 

With his rise of popularity came some critics about his particular set of work. Many questioned whether his pop art was legitimate, with Life magazine going as far as titling their interview with him, “Is he the worst artist in America?” Of course, mainstream audiences begged to differ and made him both a national and international pop art icon.

 

His work has included taking panels from famous DC comics, using Mickey Mouse and Donald Duck’s image. It was all part of his satire on American pop culture, though he still respected the medium in which he drew inspiration from. Lichtenstein would also create pop art sculptures and well over 300 pieces through printmaking, creating pieces that many people still recognize today.

 

Only a small portion of our Roy Lichtenstein artwork is represented online. Please contact us if you are looking for something special.

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