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James RosenquistSilk Screams, 1974Silkscreen22 x 30 ins 55.88 x 76.2 cmHand signed in pencil lower right
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James RosenquistEarth and Moon, 1976Lithograph18 6/8 x 17 6/8 ins 47.63 x 45.09 cm
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James RosenquistNear Far, 1975Lithograph19 x 36 2/8 ins 48.26 x 92.08 cmHand signed in pencil lower right.
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James RosenquistForehead 1, 1968Lithograph33 1/2 x 24 6/8 ins 85.09 x 62.87 cm
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Ammon RostGood Joke, 2020Acrylic on Canvas72 x 66 ins 182.88 x 167.64 cm
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Ed RuschaWoman on Fire, 2024Lithograph20 x 30 in13/50Signed and dated
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Ed RuschaBegin Anywhere, 2024Color hand pulled lithographImage: 11 x 19 inches
Sheet: 15.5 x 22 inches21/60Signed and dated -
David SallePaper Lanterns from the Henry Geldzahler Portfolio, 1998Intaglio30 x 22 ins 76.2 x 55.88 cm
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Nat SarkissianIn Deep Spring #5, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #6, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #8, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #9, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #7, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #10, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #2, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #1, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #3, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Nat SarkissianIn Deep Spring #4, 2024Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm13 x 13 in
33 x 33 cmSigned, Dated, & Titled -
Peter SaulTraffic Jam, 20221 Colour Lithograph on Somerset Velvet Warm White 400gsm.23.6 x 29.9 inEdition of 125Signed and numbered by the artist
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Peter SaulCollision, 2018Soft ground etching with Aquatint etching27 1/2 x 31 ins 69.85 x 78.74 cmSigned and numbered by the artist
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Kenny ScharfGalaxiverse, 1998Line etching and aquatint28 1/8 x 23 6/8 ins 71.75 x 60.58 cmSigned and numbered in pencil
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Kenny ScharfGalaxiverse, 1998Line etching and aquatint0 ins 0 cm
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Kenny ScharfGordi, Small Nymphs, Orbiting, 1998Line etching and aquatint with hand-painting15 1/2 x 13 ins 39.37 x 33.02 cm
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Kenny ScharfAutomatics, 2006Oil, Acrylic, silkscreen and mixed media on paper22 x 29 1/2 in
55.9 x 74.9 cmSigned, titled and dated on the Verso -
Kenny ScharfParadis Peru, 2022Archival pigment inks with high glass Varnish and diamond dust on Innova Etching42 x 54 ins 106.68 x 137.16 cm12/25Signed and numbered by the arist
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Kenny ScharfSchrungle, 2022Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper42 x 50.5 inchesEdition of 40Signed & numbered
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Kenny ScharfKelp Us, 2022Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper42 x 52.25 inchesEdition of 40Signed & numbered
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Kenny ScharfWorldz End, 2022Color silkscreen with enamel inks, flocking on Rising 4-ply museum board54 x 70 inchesEdition of 30Signed & numbered
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Kenny ScharfWorldz End (Inverse), 2022Color silkscreen with enamel inks, flocking on Rising 4-ply museum board54 x 70 inchesEdition of 30Signed & numbered
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Kenny ScharfUntitled, 1992Acrylic and silkscreen ink on canvas board and recycled wood frameUnframed: 18 x 14 inches
Framed: 21 1/2 x 17 1/2 inchesSigned and dated 1992 by Kenny Scharf on the wooden "Recycle" frame -
Kenny ScharfFlores (Pink), 2020Shaped aluminum with black flock mounted to a polished stainless steel base with flocked feet25 x 21 x 0 3/8 ins 63.5 x 53.34 x 0.97 cm
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Kenny ScharfFelix on a Pedestal, 1998Serigraph42 x 46 ins 106.68 x 116.84 cm
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Kenny ScharfThings, 2022Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper50.5 x 42 inchesEdition of 40Signed & numbered
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Kenny ScharfFlores (Purple), 2022Shaped aluminum with black flock mounted to a polished stainless steel base with flocked feet25 x 21 x 0 3/8 ins 63.5 x 53.34 x 0.97 cmEdition of 15Signed and Dated on the bottom of the base
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Kenny ScharfSurfboard, 2021Hand paint and Airbrush
Polyester resin and polyurethane foam6.6 x 20 x 2.5 in. -
Kenny ScharfStarget Sculpture, 2022cutout from shaped powder coated aluminum, printed the same on each side with UV coated archival inks, clear coated and mounted to an Aluminum base24 x 23 inEdition of 30Signed and dated on the verso
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Julian SchnabelView of Dawn from the Tropics- Allen(cordial love), 1998Hand Painted 15-17 Color Screenprint With Poured Resin45 x 36 ins 114.3 x 91.44 cm
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Julian SchnabelView of Dawn from the Tropics-Bandini(his foe pursued), 1998Hand Painted 15-17 Color Screenprint With Poured Resin45 x 36 ins 114.3 x 91.44 cm
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Julian SchnabelView of Dawn from the Tropics-Roy, 1998Hand Painted 15-17 Color Screenprint With Poured Resin45 x 36 ins 114.3 x 91.44 cm
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Dana SchutzPointer, 2018Etching with aquatint43 2/8 x 30 4/8 ins 109.86 x 77.77 cmSigned;recto in graphite lower border
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Dana SchutzWoman and Dog, 2018Etching and Aquatint43 2/8 x 30 4/8 ins 109.86 x 77.77 cmSigned; recto in graphite lower border
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Alexandra SeilerLow Revel, 2019Acrylic on Panel40 x 40 x 2 ins 101.6 x 101.6 x 5.08 cm
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernHexagon, 2024Photograph on AluDibond and then cut into shapeSigned on the Verso
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Daisy SeilernFlowerheads 4, 2023Photograph on Hahnemühle Photo Rag Baryta 315g/m223.5 x 35 inEdition of 15 /3APSigned on the Verso
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Daisy SeilernFlowerheads 3, 2023Photograph on Hahnemühle Photo Rag Baryta 315g/m223.5 x 35 inEdition of 15 /3APSigned on the Verso
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Daisy SeilernFlowerheads 2, 2023Photograph on Hahnemühle Photo Rag Baryta 315g/m223.5 x 35 inEdition of 15 /3APSigned on the Verso
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Daisy SeilernFlowerheads 5, 2023Photograph on Hahnemühle Photo Rag Baryta 315g/m223.5 x 35 inEdition of 15 /3APSigned on the Verso
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Daisy SeilernFlowerheads 9, 2023Photograph on Hahnemühle Photo Rag Baryta 315g/m223.5 x 35 inEdition of 15 /3APSigned on the Verso
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Daisy SeilernModern Mowgli, 2020Photograph on Hahnemühle Photo Rag Baryta 315g/m231.5 x 47.25Edition of 20 /3APSigned on the Verso
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Daisy SeilernBeetles, 2025Mixed Media
AluDibond and then built up in several layers of varnish (Lacque)14 x 20 in
35.6 x 50.8 cmEdition of 15 plus 3APSigned on the Verso -
Daisy SeilernBeetles, 2025Mixed Media
AluDibond and then built up in several layers of varnish (Lacque)14 x 20 in
35.6 x 50.8 cmEdition of 15 plus 3APSigned on the Verso -
Daisy SeilernBeetles, 2025Mixed Media
AluDibond and then built up in several layers of varnish (Lacque)14 x 20 in
35.6 x 50.8 cmEdition of 15 plus 3APSigned on the Verso -
Daisy SeilernBeetles, 2025Mixed Media
AluDibond and then built up in several layers of varnish (Lacque)14 x 20 in
35.6 x 50.8 cmEdition of 15 plus 3APSigned on the Verso -
Daisy SeilernBeetles, 2025Mixed Media
AluDibond and then built up in several layers of varnish (Lacque)14 x 20 in
35.6 x 50.8 cmEdition of 15 plus 3APSigned on the Verso -
Daisy SeilernBeetles, 2025Mixed Media
AluDibond and then built up in several layers of varnish (Lacque)14 x 20 in
35.6 x 50.8 cmEdition of 15 plus 3APSigned on the Verso -
Jonathan SeligerSilver Lining, 2005Acrylic, modeling paste, varnish on canvas and muslin20 x 20 2/8 x 7 1/2 ins 50.8 x 51.44 x 19.05 cm
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Jonathan SeligerDeep Sea, 2005Acrylic, modeling paste, varnish on canvas and muslin18 x 21 1/2 x 7 ins 45.72 x 54.61 x 17.78 cm
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Richard SerraHitchcock I, 20243-color oil stick and silica34 x 48 in
86.4 x 121.9 cm24/56Signed and dated -
Richard SerraOteiza, 2003Etching on Somerset Paper59.5 x 47.522/48Signed and numbered in pencil
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OG SlickThree Lil' Pigs, 2015Screenprint24 x 24 ins 60.96 x 60.96 cm
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Emily Mae SmithThe Studio, 2014Watercolor,ink, glow pigment on paper7 3/4 x 7 3/4 in
19.8 x 19.8 cmsigned by the artist -
Lucy Sparrow'Nil By Mouth, 2016Felt in perspex box39 3/8 x 37 3/8 ins 100.08 x 95 cm
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Frank StellaBene Come II Sale( F.S. 991), 1989Etching, Relief and Hand coloring77 1/2 x 58 3/4 in
196.8 x 149.2 cm27/50Signed an graphite and dated -
Frank StellaSharpesville, 1973Lithograph16 x 22 ins 40.64 x 55.88 cm
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Frank StellaA Squeeze of the Hand, 1988Serigraph/lithograph/linocut/collage72 x 54 ins 182.88 x 137.16 cm
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Frank StellaEgyplosis Relief, 1996Relief etching and aquatint In colors on TGL handmade paper31 1/2 x 31 1/2 ins 80.01 x 80.01 cm
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Frank StellaStubb & Flask Kill A Right Whale, 1992Relief printed etching,aquatint and engraving on handmade TGL paper76 1/2 x 56 x 9 1/2 ins 194.31 x 142.24 x 24.13 cm
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frank stellaPolar Co-ordinates III, 1980Lithograph and screenprint on 320 gram Arches Cover paper38 1/2 x 38 in
97.8 x 96.5 cmEdition of 100signed and dated in pencil, lower left -
Frank StellaFattipuff (Axiom 243), 1996Lithograph,screenprint,etching, aquatint, relief on white TGL handmade paper32 1/2 x 32 1/2 in
82.5 x 82.5 cm26/35Signed and dated in pencil, lower middle, left of center F. Stella 96
Workshop # inscribed in pencil on the verso: FS94-3134 -
Donald SultanThree Red Lantern Flowers, 2022Shaped Aluminum with Red Flocking54 x 31 in
137.2 x 78.7 cmEdition of 12Signed & dated on the verso -
Donald SultanThree Blue Lantern Flowers, 2022Shaped Aluminum with Blue Flocking54 x 31 in
137.2 x 78.7 cmEdition of 12Signed & dated on the verso -
Donald SultanThree Yellow Lantern Flowers, 2022Shaped Aluminum with Yellow Flocking54 x 31 in
137.2 x 78.7 cmEdition of 12Signed & dated on the verso -
Donald SultanWhite Tulips and Vase, April 4, 2014, 2014Painted aluminum on polished aluminum base24 x 20 x 3 1/2 ins 60.96 x 50.8 x 8.89 cm
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