Artworks

  • James Rosenquist, Silk Screams, 1974
    James Rosenquist
    Silk Screams, 1974
    Silkscreen
    22 x 30 ins 55.88 x 76.2 cm
    Hand signed in pencil lower right
  • James Rosenquist, Earth and Moon, 1976
    James Rosenquist
    Earth and Moon, 1976
    Lithograph
    18 6/8 x 17 6/8 ins 47.63 x 45.09 cm
  • James Rosenquist, Near Far, 1975
    James Rosenquist
    Near Far, 1975
    Lithograph
    19 x 36 2/8 ins 48.26 x 92.08 cm
    Hand signed in pencil lower right.
  • James Rosenquist, Forehead 1, 1968
    James Rosenquist
    Forehead 1, 1968
    Lithograph
    33 1/2 x 24 6/8 ins 85.09 x 62.87 cm
  • Ammon Rost, Good Joke, 2020
    Ammon Rost
    Good Joke, 2020
    Acrylic on Canvas
    72 x 66 ins 182.88 x 167.64 cm
  • Ed Ruscha, Woman on Fire, 2024
    Ed Ruscha
    Woman on Fire, 2024
    Lithograph
    20 x 30 in
    13/50
    Signed and dated
  • Ed Ruscha, Begin Anywhere, 2024
    Ed Ruscha
    Begin Anywhere, 2024
    Color hand pulled lithograph
    Image: 11 x 19 inches
    Sheet: 15.5 x 22 inches
    21/60
    Signed and dated
  • David Salle, Paper Lanterns from the Henry Geldzahler Portfolio, 1998
    David Salle
    Paper Lanterns from the Henry Geldzahler Portfolio, 1998
    Intaglio
    30 x 22 ins 76.2 x 55.88 cm
  • Nat Sarkissian, In Deep Spring #5, 2024
    Nat Sarkissian
    In Deep Spring #5, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #6, 2024
    Nat Sarkissian
    In Deep Spring #6, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #8, 2024
    Nat Sarkissian
    In Deep Spring #8, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #9, 2024
    Nat Sarkissian
    In Deep Spring #9, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #7, 2024
    Nat Sarkissian
    In Deep Spring #7, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #10, 2024
    Nat Sarkissian
    In Deep Spring #10, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #2, 2024
    Nat Sarkissian
    In Deep Spring #2, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #1, 2024
    Nat Sarkissian
    In Deep Spring #1, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #3, 2024
    Nat Sarkissian
    In Deep Spring #3, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Nat Sarkissian, In Deep Spring #4, 2024
    Nat Sarkissian
    In Deep Spring #4, 2024
    Algorithmic Design with Archival Ink on Epson Hot Press Bright 330gsm
    13 x 13 in
    33 x 33 cm
    Signed, Dated, & Titled
  • Peter Saul, Traffic Jam, 2022
    Peter Saul
    Traffic Jam, 2022
    1 Colour Lithograph on Somerset Velvet Warm White 400gsm.
    23.6 x 29.9 in
    Edition of 125
    Signed and numbered by the artist
  • Peter Saul, Collision, 2018
    Peter Saul
    Collision, 2018
    Soft ground etching with Aquatint etching
    27 1/2 x 31 ins 69.85 x 78.74 cm
    Signed and numbered by the artist
  • Kenny Scharf, Galaxiverse, 1998
    Kenny Scharf
    Galaxiverse, 1998
    Line etching and aquatint
    28 1/8 x 23 6/8 ins 71.75 x 60.58 cm
    Signed and numbered in pencil
  • Kenny Scharf, Galaxiverse, 1998
    Kenny Scharf
    Galaxiverse, 1998
    Line etching and aquatint
    0 ins 0 cm
  • Kenny Scharf, Gordi, Small Nymphs, Orbiting, 1998
    Kenny Scharf
    Gordi, Small Nymphs, Orbiting, 1998
    Line etching and aquatint with hand-painting
    15 1/2 x 13 ins 39.37 x 33.02 cm
  • Kenny Scharf, Automatics, 2006
    Kenny Scharf
    Automatics, 2006
    Oil, Acrylic, silkscreen and mixed media on paper
    22 x 29 1/2 in
    55.9 x 74.9 cm
    Signed, titled and dated on the Verso
  • Kenny Scharf, Paradis Peru, 2022
    Kenny Scharf
    Paradis Peru, 2022
    Archival pigment inks with high glass Varnish and diamond dust on Innova Etching
    42 x 54 ins 106.68 x 137.16 cm
    12/25
    Signed and numbered by the arist
  • Kenny Scharf, Schrungle, 2022
    Kenny Scharf
    Schrungle, 2022
    Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper
    42 x 50.5 inches
    Edition of 40
    Signed & numbered
  • Kenny Scharf, Kelp Us, 2022
    Kenny Scharf
    Kelp Us, 2022
    Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper
    42 x 52.25 inches
    Edition of 40
    Signed & numbered
  • Kenny Scharf, Worldz End, 2022
    Kenny Scharf
    Worldz End, 2022
    Color silkscreen with enamel inks, flocking on Rising 4-ply museum board
    54 x 70 inches
    Edition of 30
    Signed & numbered
  • Kenny Scharf, Worldz End (Inverse), 2022
    Kenny Scharf
    Worldz End (Inverse), 2022
    Color silkscreen with enamel inks, flocking on Rising 4-ply museum board
    54 x 70 inches
    Edition of 30
    Signed & numbered
  • Kenny Scharf, Untitled, 1992
    Kenny Scharf
    Untitled, 1992
    Acrylic and silkscreen ink on canvas board and recycled wood frame
    Unframed: 18 x 14 inches
    Framed: 21 1/2 x 17 1/2 inches
    Signed and dated 1992 by Kenny Scharf on the wooden "Recycle" frame
  • Kenny Scharf, Flores (Pink), 2020
    Kenny Scharf
    Flores (Pink), 2020
    Shaped aluminum with black flock mounted to a polished stainless steel base with flocked feet
    25 x 21 x 0 3/8 ins 63.5 x 53.34 x 0.97 cm
  • Kenny Scharf, Felix on a Pedestal, 1998
    Kenny Scharf
    Felix on a Pedestal, 1998
    Serigraph
    42 x 46 ins 106.68 x 116.84 cm
  • Kenny Scharf, Things, 2022
    Kenny Scharf
    Things, 2022
    Archival pigment ink print with silkscreened high gloss varnish and diamond dust on Innova Etching Cotton Rag 315 gsm fine art paper
    50.5 x 42 inches
    Edition of 40
    Signed & numbered
  • Kenny Scharf, Flores (Purple), 2022
    Kenny Scharf
    Flores (Purple), 2022
    Shaped aluminum with black flock mounted to a polished stainless steel base with flocked feet
    25 x 21 x 0 3/8 ins 63.5 x 53.34 x 0.97 cm
    Edition of 15
    Signed and Dated on the bottom of the base
  • Kenny Scharf, Surfboard, 2021
    Kenny Scharf
    Surfboard, 2021
    Hand paint and Airbrush
    Polyester resin and polyurethane foam
    6.6 x 20 x 2.5 in.
  • Kenny Scharf, Starget Sculpture, 2022
    Kenny Scharf
    Starget Sculpture, 2022
    cutout from shaped powder coated aluminum, printed the same on each side with UV coated archival inks, clear coated and mounted to an Aluminum base
    24 x 23 in
    Edition of 30
    Signed and dated on the verso
  • Julian Schnabel, View of Dawn from the Tropics- Allen(cordial love), 1998
    Julian Schnabel
    View of Dawn from the Tropics- Allen(cordial love), 1998
    Hand Painted 15-17 Color Screenprint With Poured Resin
    45 x 36 ins 114.3 x 91.44 cm
  • Julian Schnabel, View of Dawn from the Tropics-Bandini(his foe pursued), 1998
    Julian Schnabel
    View of Dawn from the Tropics-Bandini(his foe pursued), 1998
    Hand Painted 15-17 Color Screenprint With Poured Resin
    45 x 36 ins 114.3 x 91.44 cm
  • Julian Schnabel, View of Dawn from the Tropics-Roy, 1998
    Julian Schnabel
    View of Dawn from the Tropics-Roy, 1998
    Hand Painted 15-17 Color Screenprint With Poured Resin
    45 x 36 ins 114.3 x 91.44 cm
  • Dana Schutz, Pointer, 2018
    Dana Schutz
    Pointer, 2018
    Etching with aquatint
    43 2/8 x 30 4/8 ins 109.86 x 77.77 cm
    Signed;recto in graphite lower border
  • Dana Schutz, Woman and Dog, 2018
    Dana Schutz
    Woman and Dog, 2018
    Etching and Aquatint
    43 2/8 x 30 4/8 ins 109.86 x 77.77 cm
    Signed; recto in graphite lower border
  • Alexandra Seiler, Low Revel, 2019
    Alexandra Seiler
    Low Revel, 2019
    Acrylic on Panel
    40 x 40 x 2 ins 101.6 x 101.6 x 5.08 cm
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Hexagon, 2024
    Daisy Seilern
    Hexagon, 2024
    Photograph on AluDibond and then cut into shape
    Signed on the Verso
  • Daisy Seilern, Flowerheads 4, 2023
    Daisy Seilern
    Flowerheads 4, 2023
    Photograph on Hahnemühle Photo Rag Baryta 315g/m2
    23.5 x 35 in
    Edition of 15 /3AP
    Signed on the Verso
  • Daisy Seilern, Flowerheads 3, 2023
    Daisy Seilern
    Flowerheads 3, 2023
    Photograph on Hahnemühle Photo Rag Baryta 315g/m2
    23.5 x 35 in
    Edition of 15 /3AP
    Signed on the Verso
  • Daisy Seilern, Flowerheads 2, 2023
    Daisy Seilern
    Flowerheads 2, 2023
    Photograph on Hahnemühle Photo Rag Baryta 315g/m2
    23.5 x 35 in
    Edition of 15 /3AP
    Signed on the Verso
  • Daisy Seilern, Flowerheads 5, 2023
    Daisy Seilern
    Flowerheads 5, 2023
    Photograph on Hahnemühle Photo Rag Baryta 315g/m2
    23.5 x 35 in
    Edition of 15 /3AP
    Signed on the Verso
  • Daisy Seilern, Flowerheads 9, 2023
    Daisy Seilern
    Flowerheads 9, 2023
    Photograph on Hahnemühle Photo Rag Baryta 315g/m2
    23.5 x 35 in
    Edition of 15 /3AP
    Signed on the Verso
  • Daisy Seilern, Modern Mowgli, 2020
    Daisy Seilern
    Modern Mowgli, 2020
    Photograph on Hahnemühle Photo Rag Baryta 315g/m2
    31.5 x 47.25
    Edition of 20 /3AP
    Signed on the Verso
  • Daisy Seilern, Beetles, 2025
    Daisy Seilern
    Beetles, 2025
    Mixed Media
    AluDibond and then built up in several layers of varnish (Lacque)
    14 x 20 in
    35.6 x 50.8 cm
    Edition of 15 plus 3AP
    Signed on the Verso
  • Daisy Seilern, Beetles, 2025
    Daisy Seilern
    Beetles, 2025
    Mixed Media
    AluDibond and then built up in several layers of varnish (Lacque)
    14 x 20 in
    35.6 x 50.8 cm
    Edition of 15 plus 3AP
    Signed on the Verso
  • Daisy Seilern, Beetles, 2025
    Daisy Seilern
    Beetles, 2025
    Mixed Media
    AluDibond and then built up in several layers of varnish (Lacque)
    14 x 20 in
    35.6 x 50.8 cm
    Edition of 15 plus 3AP
    Signed on the Verso
  • Daisy Seilern, Beetles, 2025
    Daisy Seilern
    Beetles, 2025
    Mixed Media
    AluDibond and then built up in several layers of varnish (Lacque)
    14 x 20 in
    35.6 x 50.8 cm
    Edition of 15 plus 3AP
    Signed on the Verso
  • Daisy Seilern, Beetles, 2025
    Daisy Seilern
    Beetles, 2025
    Mixed Media
    AluDibond and then built up in several layers of varnish (Lacque)
    14 x 20 in
    35.6 x 50.8 cm
    Edition of 15 plus 3AP
    Signed on the Verso
  • Daisy Seilern, Beetles, 2025
    Daisy Seilern
    Beetles, 2025
    Mixed Media
    AluDibond and then built up in several layers of varnish (Lacque)
    14 x 20 in
    35.6 x 50.8 cm
    Edition of 15 plus 3AP
    Signed on the Verso
  • Jonathan Seliger, Silver Lining, 2005
    Jonathan Seliger
    Silver Lining, 2005
    Acrylic, modeling paste, varnish on canvas and muslin
    20 x 20 2/8 x 7 1/2 ins 50.8 x 51.44 x 19.05 cm
  • Jonathan Seliger, Deep Sea, 2005
    Jonathan Seliger
    Deep Sea, 2005
    Acrylic, modeling paste, varnish on canvas and muslin
    18 x 21 1/2 x 7 ins 45.72 x 54.61 x 17.78 cm
  • Richard Serra, Hitchcock I, 2024
    Richard Serra
    Hitchcock I, 2024
    3-color oil stick and silica
    34 x 48 in
    86.4 x 121.9 cm
    24/56
    Signed and dated
  • Richard Serra, Oteiza, 2003
    Richard Serra
    Oteiza, 2003
    Etching on Somerset Paper
    59.5 x 47.5
    22/48
    Signed and numbered in pencil
  • OG Slick
    Three Lil' Pigs, 2015
    Screenprint
    24 x 24 ins 60.96 x 60.96 cm
  • Emily Mae Smith, The Studio, 2014
    Emily Mae Smith
    The Studio, 2014
    Watercolor,ink, glow pigment on paper
    7 3/4 x 7 3/4 in
    19.8 x 19.8 cm
    signed by the artist
  • Lucy Sparrow, 'Nil By Mouth, 2016
    Lucy Sparrow
    'Nil By Mouth, 2016
    Felt in perspex box
    39 3/8 x 37 3/8 ins 100.08 x 95 cm
  • Frank Stella, Bene Come II Sale( F.S. 991), 1989
    Frank Stella
    Bene Come II Sale( F.S. 991), 1989
    Etching, Relief and Hand coloring
    77 1/2 x 58 3/4 in
    196.8 x 149.2 cm
    27/50
    Signed an graphite and dated
  • Frank Stella, Sharpesville, 1973
    Frank Stella
    Sharpesville, 1973
    Lithograph
    16 x 22 ins 40.64 x 55.88 cm
  • Frank Stella, A Squeeze of the Hand, 1988
    Frank Stella
    A Squeeze of the Hand, 1988
    Serigraph/lithograph/linocut/collage
    72 x 54 ins 182.88 x 137.16 cm
  • Frank Stella, Egyplosis Relief, 1996
    Frank Stella
    Egyplosis Relief, 1996
    Relief etching and aquatint In colors on TGL handmade paper
    31 1/2 x 31 1/2 ins 80.01 x 80.01 cm
  • Frank Stella, Stubb & Flask Kill A Right Whale, 1992
    Frank Stella
    Stubb & Flask Kill A Right Whale, 1992
    Relief printed etching,aquatint and engraving on handmade TGL paper
    76 1/2 x 56 x 9 1/2 ins 194.31 x 142.24 x 24.13 cm
  • frank stella, Polar Co-ordinates III, 1980
    frank stella
    Polar Co-ordinates III, 1980
    Lithograph and screenprint on 320 gram Arches Cover paper
    38 1/2 x 38 in
    97.8 x 96.5 cm
    Edition of 100
    signed and dated in pencil, lower left
  • Frank Stella, Fattipuff (Axiom 243), 1996
    Frank Stella
    Fattipuff (Axiom 243), 1996
    Lithograph,screenprint,etching, aquatint, relief on white TGL handmade paper
    32 1/2 x 32 1/2 in
    82.5 x 82.5 cm
    26/35
    Signed and dated in pencil, lower middle, left of center F. Stella 96

    Workshop # inscribed in pencil on the verso: FS94-3134
  • Donald Sultan, Three Red Lantern Flowers, 2022
    Donald Sultan
    Three Red Lantern Flowers, 2022
    Shaped Aluminum with Red Flocking
    54 x 31 in
    137.2 x 78.7 cm
    Edition of 12
    Signed & dated on the verso
  • Donald Sultan, Three Blue Lantern Flowers, 2022
    Donald Sultan
    Three Blue Lantern Flowers, 2022
    Shaped Aluminum with Blue Flocking
    54 x 31 in
    137.2 x 78.7 cm
    Edition of 12
    Signed & dated on the verso
  • Donald Sultan, Three Yellow Lantern Flowers, 2022
    Donald Sultan
    Three Yellow Lantern Flowers, 2022
    Shaped Aluminum with Yellow Flocking
    54 x 31 in
    137.2 x 78.7 cm
    Edition of 12
    Signed & dated on the verso
  • Donald Sultan, White Tulips and Vase, April 4, 2014, 2014
    Donald Sultan
    White Tulips and Vase, April 4, 2014, 2014
    Painted aluminum on polished aluminum base
    24 x 20 x 3 1/2 ins 60.96 x 50.8 x 8.89 cm
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