Artworks

  • Shepard Fairey, Time To Move On, 2015
    Shepard Fairey
    Time To Move On, 2015
    Screenprint
    24 x 18 ins 60.96 x 45.72 cm
  • Shepard Fairey, Sonic Solutions Inc. (Mea Culpa), 2008
    Shepard Fairey
    Sonic Solutions Inc. (Mea Culpa), 2008
    3-D screenprint
    24 x 18 ins 60.96 x 45.72 cm
    Hand signed and dated lower right
  • Shepard Fairey, Unsinkable Consumption, 2015
    Shepard Fairey
    Unsinkable Consumption, 2015
    Silksceen
    24 x 18 ins 60.96 x 45.72 cm
  • Shepard Fairey, Power Bidder, 2015
    Shepard Fairey
    Power Bidder, 2015
    Three-color relief on handmade paper
    34 1/2 x 25 1/2 ins 87.63 x 64.77 cm
    Signed and numbered by the artist in Pencil. Marked TP.
  • Shepard Fairey, Dove Target Red, 2012
    Shepard Fairey
    Dove Target Red, 2012
    Three-color relief on handmade paper
    35 x 25 1/2 ins 88.9 x 64.77 cm
    Hand signed and dated in pencil lower right. Numbered lower left.
  • Carole Feuerman, St. Lucia, 2014
    Carole Feuerman
    St. Lucia, 2014
    Archival giclee' with silkscreen
    38 x 77 ins 96.52 x 195.58 cm
  • Carole Feuerman, St. Barts, 2014
    Carole Feuerman
    St. Barts, 2014
    Archival giclee' with silkscreen
    38 x 77 ins 96.52 x 195.58 cm
  • Beverly Fishman, adhd, 2019
    Beverly Fishman
    adhd, 2019
    Polyurethane on hand polished stainless steel
    13 1/2 x 13 1/2 x 3 in
    34.3 x 34.3 x 7.6 cm
    Edition of 5
  • Beverly Fishman, Anxiety, 2019
    Beverly Fishman
    Anxiety, 2019
    Polyurethane on hand polished stainless steel
    13.5h x 13.5w x 3d inches
    15 x 12 1/2 x 4 in
    38.1 x 31.8 x 10.2 cm
    Edition of 5
  • Beverly Fishman, High Blood Pressure, 2019
    Beverly Fishman
    High Blood Pressure, 2019
    Polyurethane on hand polished stainless steel
    13.5h x 13.5w x 3d inches
    13 1/2 x 13 1/2 x 3 in
    34.3 x 34.3 x 7.6 cm
    Edition of 5
  • Sam Francis, 566-110 Drawing for Sculpture, 1966
    Sam Francis
    566-110 Drawing for Sculpture, 1966
    Color Water color on paper
    32 2/8 x 21 ins 81.92 x 53.34 cm
  • Sam Francis, SF 80-677, 1980
    Sam Francis
    SF 80-677, 1980
    Water color on paper
    19 1/2 x 13 5/8 ins 49.53 x 34.92 cm
    Signed and stamped on the verso
  • Helen Frankenthaler, Beginnings, 2002
    Helen Frankenthaler
    Beginnings, 2002
    Silkscreen on handmade paper
    37 x 36 in
    94 x 91.4 cm
    62/126
    Signed, numbered and dated
  • Sam Friedman, Untitled, 2019
    Sam Friedman
    Untitled, 2019
    Acrylic and vinyl paints, silkscreen ink, and acrylic spray paint on primed Stonehenge paper
    48 x 32 ins 121.92 x 81.28 cm
  • Sam Friedman, Untitled, 2015
    Sam Friedman
    Untitled, 2015
    Acrylic on Canvas
    30 x 90 x 2 ins 76.2 x 228.6 x 5.08 cm
    Signed on the verso
  • Sam Friedman, Untitled, 2018
    Sam Friedman
    Untitled, 2018
    Acrylic on Canvas
    60 x 48 x 2 ins 152.4 x 121.92 x 5.08 cm
  • Sam Friedman, Second Beach Monoprint #22, 2018
    Sam Friedman
    Second Beach Monoprint #22, 2018
    Hand-Pulled Screen Printed Monoprint on Mohawk Superfine UltraWhite, 160 lb cover
    30 x 22 in
    76.2 x 55.9 cm
    1/1, Unique monoprint
    Numbered and signed by the artist.
  • Sam Friedman, Second Beach Monoprint #28, 2018
    Sam Friedman
    Second Beach Monoprint #28, 2018
    Hand-Pulled Screen Printed Monoprint on Mohawk Superfine UltraWhite, 160 lb cover.
    30 x 22 in
    76.2 x 55.9 cm
    1/1, Unique monoprint
    Numbered and signed by the artist.
  • Sam Friedman, Second Beach Monoprint, 2018
    Sam Friedman
    Second Beach Monoprint, 2018
    Hand-Pulled Screen Printed Monoprint on Mohawk Superfine UltraWhite, 160 lb cover
    30 x 22 in
    76.2 x 55.9 cm
    1/1, Unique monoprint
    Numbered and signed by the artist.
  • Steven Gagnon, Texas Flag, 2004
    Steven Gagnon
    Texas Flag, 2004
    Screenprint On Coventry Paper
    40 x 63 ins 101.6 x 160.02 cm
  • Steven Gagnon, Money Laundering, 2011
    Steven Gagnon
    Money Laundering, 2011
    Water Based U. V. Inks On Coventry Rag Paper
    26 x 60 ins 66.04 x 152.4 cm
  • Steven Gagnon, $100 Flag, 2004
    Steven Gagnon
    $100 Flag, 2004
    Screenprint On Coventry Paper
    40 x 63 ins 101.6 x 160.02 cm
  • April Gornik, Blue Moonlight, 2007
    April Gornik
    Blue Moonlight, 2007
    Lithograph
    24 x 26 ins 60.96 x 66.04 cm
  • Jerry Gotkin, Still Life #1-In the Studio
    Jerry Gotkin
    Still Life #1-In the Studio
    Acrylic on board
    40 x 32 ins 101.6 x 81.28 cm
  • Jerry Gotkin, Williamsburg
    Jerry Gotkin
    Williamsburg
    Archival solvent ink on canvas
    48 x 26 1/2 ins 121.92 x 67.31 cm
  • Jerry Gotkin, Landscape-Manhattan Towers
    Jerry Gotkin
    Landscape-Manhattan Towers
    Archival pigment print on Somerset
    36 x 24 ins 91.44 x 60.96 cm
  • Jerry Gotkin, Landscape-Mountain of Homes
    Jerry Gotkin
    Landscape-Mountain of Homes
    Archival pigment print on Somerset
    36 x 24 ins 91.44 x 60.96 cm
  • Jerry Gotkin, Morikami-A Glimpse of Tendencies
    Jerry Gotkin
    Morikami-A Glimpse of Tendencies
    Archival pigment on Somerset
    20 x 30 ins 50.8 x 76.2 cm
  • Jerry Gotkin, Morikami-The Fire Sky
    Jerry Gotkin
    Morikami-The Fire Sky
    Archival pigment on Somerset
    20 x 30 ins 50.8 x 76.2 cm
  • Jerry Gotkin, Morikami-Bonsai Dream Imperiance
    Jerry Gotkin
    Morikami-Bonsai Dream Imperiance
    Acrylic and solvent inks on canvas
    32 x 48 ins 81.28 x 121.92 cm
  • Jerry Gotkin
    Ballet #20
    Acrylic and oil on canvas
    36 x 54 ins 91.44 x 137.16 cm
  • Jerry Gotkin, Ballet-Swan Lake
    Jerry Gotkin
    Ballet-Swan Lake
    Acrylic and oil on canvas
    34 1/2 x 58 1/2 ins 87.63 x 148.59 cm
  • Jerry Gotkin, Ballet-Men Dance
    Jerry Gotkin
    Ballet-Men Dance
    Acrylic and ink on canvas
    27 x 51 1/2 ins 68.58 x 130.81 cm
  • Doze Green, Black Swan, 2014
    Doze Green
    Black Swan, 2014
    Archival pigment print
    24 x 18 ins 60.96 x 45.72 cm
  • Gronk, Flip side, 1997
    Gronk
    Flip side, 1997
    Woodcut on handmade paper
    11 1/2 x 17 1/2 ins 29.21 x 44.45 cm
  • Bobby Grossman, Andy Warhol with Polaroid SX70, The Factory, 1979
    Bobby Grossman
    Andy Warhol with Polaroid SX70, The Factory, 1979
    Chromogenic Print On Plexiglas
    30 x 20 ins 76.2 x 50.8 cm
  • Bobby Grossman, Andy Warhol -  Corn Flakes Contact Sheet, 1978-2012
    Bobby Grossman
    Andy Warhol -  Corn Flakes Contact Sheet, 1978-2012
    Lambda C-print
    104.1 x 111.8 cm
  • Bobby Grossman, Cornflakes, 1978
    Bobby Grossman
    Cornflakes, 1978
    Lambda Chromogenic Print
    41 x 44 ins 104.14 x 111.76 cm
  • Bob Gruen, John Lennon, Statue of Liberty, New York City, 2021
    Bob Gruen
    John Lennon, Statue of Liberty, New York City, 2021
    Signed, Titled and Numbered by the Artist in pencil
    An edition of 200
    Silkscreen and mixed media
    290 gram Coventry Rag paper
    23 x 17 in
    58.4 x 43.2 cm
    Edition of 200
    Signed, Titled and Numbered by the Artist in pencil
  • Keith Haring, Medusa, 1986
    Keith Haring
    Medusa, 1986
    Sugar lift aquatint on Hahnemühle Bütten 300g
    55 1/8 x 94 1/2 in
    140 x 240 cm
    Edition of 24
    Signed and numbered by the artist
  • Keith Haring, Pop Shop IV, 1989
    Keith Haring
    Pop Shop IV, 1989
    Silkscreen
    height 13 1/2 in
    height 34.3 cm
    Signed & Dated
  • Keith Haring, Pop Shop Quad I, 1987
    Keith Haring
    Pop Shop Quad I, 1987
    Silkscreen
    height 13 1/2 in
    height 34.3 cm
  • Keith Haring, Spirit Of Art No.2, 1992
    Keith Haring
    Spirit Of Art No.2, 1992
    Ceramic
    12 x 12 2/8 x 2 ins 30.48 x 31.24 x 5.08 cm
  • Keith Haring, Untitled 2 from Free South Africa, 1985
    Keith Haring
    Untitled 2 from Free South Africa, 1985
    Lithograph on Rives BFK
    32 x 40 ins 81.28 x 101.6 cm
    53/60
    Signed, dated and numbered by the artist in the left margin
  • Keith Haring, International Youth Year, 1985
    Keith Haring
    International Youth Year, 1985
    Lithograph
    11 x 8.5 (in)
    28 x 22 (cm)
    794/1000
    Signed & Numbered
  • Keith Haring, Untitled, 1987
    Keith Haring
    Untitled, 1987
    Lithograph in black and Grey, on BFK Rives paper, with Full margins
    30 x 42 in
    76.2 x 106.7 cm
    14/20
    Signed and dated, Published by Sette publishing company, Phoenix, AZ.
    Klaus Littmann P. 73
  • Keith Haring, Totem, 1989
    Keith Haring
    Totem, 1989
    Woodcut on three Sheets
    75 x 35 in
    190.5 x 88.9 cm
    36/60
    Signed and Dated 89, Published by Editions Schellmann, Munich- New York.
    Printer Karl Imhof, Munich
    Klaus Littmann P.158
  • Keith Haring, Best buddies, 1989
    Keith Haring
    Best buddies, 1989
    Screenprint on Stainless steel
    38 x 47 in
    96.5 x 119.4 cm
    Edition of 45
    Signed in the plate
  • Keith Haring, Stones #1, 1989
    Keith Haring
    Stones #1, 1989
    Lithograph
    30 x 22 inches
    Edition of 60
    Signed and dated
  • Keith Haring, Stones #2, 1989
    Keith Haring
    Stones #2, 1989
    Lithograph
    30 x 22 inches
    Edition of 60
    Signed and dated
  • Bruce Helander, Begonia, 2000
    Bruce Helander
    Begonia, 2000
    Collage
    25 6/8 x 18 1/2 ins 65.41 x 46.99 cm
  • Bruce Helander, Untitled, 2000
    Bruce Helander
    Untitled, 2000
    Collage
    17 x 14 1/2 ins 43.18 x 36.83 cm
  • Carmen Herrera, Untitled, 2018
    Carmen Herrera
    Untitled, 2018
    Two Color Silkscreen
    30 x 22 ins 76.2 x 55.88 cm
    Signed and numbered by the artist
  • Alan Hester, Untitled, 2020
    Alan Hester
    Untitled, 2020
    Relief, Acrylic Paint and Collage
    60 x 36 ins 152.4 x 91.44 cm
  • Charles Hinman, Golden Zephyr, 1981
    Charles Hinman
    Golden Zephyr, 1981
    Acrylic on shaped Canvas
    60 x 87 x 6 ins 152.4 x 220.98 x 15.24 cm
    Signed and dated on the verso
  • Damien Hirst, Pardon, 2012
    Damien Hirst
    Pardon, 2012
    Screenprint in colors with glaze on Somerset wove paper
    36 x 36 in
    91.4 x 91.4 cm
    14/25
    signed and numbered on the verso
  • Damien Hirst, H13-1, 2023
    Damien Hirst
    H13-1, 2023
    Laminated Giclée print on aluminium composite panel
    47 1/4 x 35 3/8 in
    120 x 90 cm
    Hand-signed on the label and numbered.
  • Damien Hirst, H13-4, 2023
    Damien Hirst
    H13-4, 2023
    Laminated Giclée print on aluminium composite panel
    47 1/4 x 35 3/8 in
    120 x 90 cm
    Hand-signed on the label and numbered.
  • Damien Hirst, H13-2, 2023
    Damien Hirst
    H13-2, 2023
    Laminated Giclée print on aluminium composite panel
    47 1/4 x 35 3/8 in
    120 x 90 cm
    Hand-signed on the label and numbered.
  • Damien Hirst, H13-3, 2023
    Damien Hirst
    H13-3, 2023
    Laminated Giclée print on aluminium composite panel
    47 1/4 x 35 3/8 in
    120 x 90 cm
    Hand-signed on the label and numbered.
  • Damien Hirst, Methionine, 2010
    Damien Hirst
    Methionine, 2010
    Color Woodcut Print On 410 Gsm Somerset White Textured Paper
    24 1/2 x 32 ins 62.23 x 81.28 cm
  • Damien Hirst, Deific, 2013
    Damien Hirst
    Deific, 2013
    Screenprint in colours with glitter, on wove paper, the full sheet.
    63 7/8 x 53 1/2 in
    162.2 x 135.9 cm
    Edition of 50
    Signed in black felt-tip pen on the front and numbered 50/50 in pencil on the reverse (there were also 10 artist's proofs), published by Other Criteria, London, unframed.
  • Tyler Hobbs, iostream #4, 2022
    Tyler Hobbs
    iostream #4, 2022
    6 color silkscreen
    24 x 20 in
    61 x 50.8 cm
    Edition of 10 plus 2 artist's proofs
  • Tyler Hobbs, iostream #7, 2022
    Tyler Hobbs
    iostream #7, 2022
    6 color silkscreen
    24 x 20 in
    61 x 50.8 cm
    Edition of 10 plus 2 artist's proofs
    signed dated and numbered on the front and Verso with the artist stamp.
    Certificate of authenticity signed by the artist with a chip included that for the NFT.
  • David Hockney, Hotel Acatlan: Two Weeks Later, from; The Moving Focus Series, 1985
    David Hockney
    Hotel Acatlan: Two Weeks Later, from; The Moving Focus Series, 1985
    Lithograph in colors on two sheets of HMP handmade paper
    28 5/8 x 74 ins 72.9 x 187.96 cm
    Signed, dated and numbered in pencil
  • David Hockney, Paper Pool, 1980
    David Hockney
    Paper Pool, 1980
    ithograph in colors, on Arches Cover paper
    10 1/2 x 9 in
    26.7 x 22.9 cm
    Special Proof
    Signed and Dated
  • Robert Indiana, Metamorphosis Of Norma Jean, 1998
    Robert Indiana
    Metamorphosis Of Norma Jean, 1998
    Screenprint
    35 x 35 in
    88.9 x 88.9 cm
    68/90
    Hand signed and dated in pencil
  • Robert Indiana, KVF !, 1990
    Robert Indiana
    KVF !, 1990
    Silkscreen
    77 x 53 ins 195.58 x 134.62 cm
  • Robert Indiana, EAT, 2011
    Robert Indiana
    EAT, 2011
    Screenprint
    32 x 30 ins 81.28 x 76.2 cm
    Hand signed in Pencil by Robert Indiana.
  • Robert Indiana, Santa Fe Opera Poster, 1976
    Robert Indiana
    Santa Fe Opera Poster, 1976
    Silkscreen w/foil
    31 x 22 ins 78.74 x 55.88 cm
  • Robert Indiana, Book of Love (German colors), 1996
    Robert Indiana
    Book of Love (German colors), 1996
    Silkscreen
    24 x 20 ins 60.96 x 50.8 cm
  • Robert Indiana, ART Rainbow Silver
    Robert Indiana
    ART Rainbow Silver
    Silkscreen print
    29 1/2 x 33 ins 74.93 x 83.82 cm
  • Robert Indiana, HOPE Red Silver Purple Blue
    Robert Indiana
    HOPE Red Silver Purple Blue
    Silkscreen print
    29 1/2 x 33 ins 74.93 x 83.82 cm
  • Robert Indiana, HOPE Red Blue Silver Rainbow
    Robert Indiana
    HOPE Red Blue Silver Rainbow
    Silkscreen print
    29 1/2 x 33 ins 74.93 x 83.82 cm
  • En Iwamura, Neo-Jomon, 2019
    En Iwamura
    Neo-Jomon, 2019
    Ceramic
    12 x 8 x 7
    Signed on the bottom of the base
  • Dan (Danlife) Jacobs, Air Jordan 1 (Northern Lights), 2019
    Dan (Danlife) Jacobs
    Air Jordan 1 (Northern Lights), 2019
    Swarovski Crystals and Cast Resin
    24 x 14 1/2 ins 60.96 x 36.83 cm
  • Rashid Johnson, Untitled (Surrender), 2024
    Rashid Johnson
    Untitled (Surrender), 2024
    9 colors silkscreen resist with hand applied pigment
    48 x 65 in
    121.9 x 165.1 cm
    Edition of 51
    Signed and dated
  • Susumu Kamijo, Comes A Time, 2022
    Susumu Kamijo
    Comes A Time, 2022
    35 color silkscreen and 3 color woodblock on Somerset Velvet Newsprint Grey
    37 1/2 x 30 in
    95.3 x 76.2 cm
    Edition of 60
    Signed and Numbered
  • Susumu Kamijo, Untitled, 2016
    Susumu Kamijo
    Untitled, 2016
    Oil Crayon and Pastel on paper
    17 x 14 ins 43.18 x 35.56 cm
  • Susumu Kamijo, The Sinner at Dusk, 2021
    Susumu Kamijo
    The Sinner at Dusk, 2021
    Walnut wood and oil paint with a matt finish and protective coating
    13 6/8 x 8 2/8 x 11 1/8 ins 35 x 21.2 x 28 cm
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