Artworks

  • Sarah Lee, Black tulip, 2021
    Sarah Lee
    Black tulip, 2021
    Archival pigment print,
    Hand-embellished, signed, and numbered by the artist
    Each work is unique
    24 x 22 1/2 in
    61 x 57.1 cm
    3/15
    Signed and numbered by the artist
  • Gilf! Ann Lewis, Empower Peace, 2011
    Gilf! Ann Lewis
    Empower Peace, 2011
    Spray Paint On Dibond
    22 x 15 1/2 ins 55.88 x 39.37 cm
  • Gilf! Ann Lewis, To Tehran with Love, 2014
    Gilf! Ann Lewis
    To Tehran with Love, 2014
    Silkscreen
    22 1/2 x 28 1/2 ins 57.15 x 72.39 cm
  • Sol Lewitt, Complex Structure In a Contained Space, 1988
    Sol Lewitt
    Complex Structure In a Contained Space, 1988
    Gouache on paper
    22 1/2 x 29 5/8 ins 57.15 x 75.56 cm
    Signed S. Lewitt
  • Sol Lewitt, Cube Without a Corner and Cube Wthout a Cube, 2005
    Sol Lewitt
    Cube Without a Corner and Cube Wthout a Cube, 2005
    Shaped from solid slabs of syntactic Polyurethane and painted in laquer
    18w x 12d x 7h in.
    45.72 x 30.48 x 17.78 cm
    signed and numbered on the bottom of the base
  • Roy Lichtenstein, Imperfect Diptych ( Corlett 225), 1988
    Roy Lichtenstein
    Imperfect Diptych ( Corlett 225), 1988
    Woodcut, screenprint, and collage on Archivart 4- ply Museum Board
    57 7/8 x 93 5/8 ins 147.2 x 238.1 cm
    8/45
    Numbered, signed (rF Lichtenstein) and dated (88) in pencil. Lower right Blindstamp, l
  • Roy Lichtenstein, Painting on Blue and Yellow Wall ( corlett 208), 1984
    Roy Lichtenstein
    Painting on Blue and Yellow Wall ( corlett 208), 1984
    Woodcut, lithograph on Arches 88 Paper
    47 1/4 x 31 5/8 in
    119.9 x 80.3 cm
    43/60
    Signed, dated and Numbered
  • Roy Lichtenstein, Modern print (Corlett 103), 1971
    Roy Lichtenstein
    Modern print (Corlett 103), 1971
    Lithograph and screenprint on special arjomari Paper
    height 31 in
    height 78.7 cm
    200
    Signed and Numbered
  • roy Lichtenstein, Blue Face from the Brushstroke Figures Series , 1989
    roy Lichtenstein
    Blue Face from the Brushstroke Figures Series , 1989
    Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper
    54 x 33 1/2 in
    137.2 x 85.1 cm
    54/60
    Signed numbered and dated in pencil
  • Roy Lichtenstein, Green Face, 1989
    Roy Lichtenstein
    Green Face, 1989
    Color lithograph, waxtype, woodcut, and screenprint on cold-pressed Saunders Waterford paper
    59 x 41 in
    149.9 x 104.1 cm
    PP.II
    Signed, dated, and numbered in pencil
  • Roy Lichtenstein, Reflections on Minerva (c.244), 1990
    Roy Lichtenstein
    Reflections on Minerva (c.244), 1990
    Lithograph, Screenprint, and 3D collage on paper
    42 x 51 3/4 in
    106.7 x 131.4 cm
    Edition of 64/68
    Signed, Numbered, and Dated
  • Roy Lichtenstein, Forms in space (Corlett 217), 1985
    Roy Lichtenstein
    Forms in space (Corlett 217), 1985
    Screenprint on Rives BFK Paper
    35 3/4 x 52 in
    90.8 x 132.1 cm
    125/125
    Signed, dated and numbered in pencil
  • Roy Lichtenstein, Crying Girl (Corlett II.1 ), 1963
    Roy Lichtenstein
    Crying Girl (Corlett II.1 ), 1963
    Offset Lithograph on light weight off white Wove Paper
    18 x 24 in
    45.7 x 61 cm
    Hand signed in pencil lower right.
  • Roy Lichtenstein, I Love Liberty, 1982
    Roy Lichtenstein
    I Love Liberty, 1982
    Screenprint on Arches 88 paper
    38 2/8 x 27 1/8 ins 97.47 x 68.9 cm
  • Roy Lichtenstein, Cubist Cello, 1997
    Roy Lichtenstein
    Cubist Cello, 1997
    Original screenprint in colors on Somerset paper
    51 × 39 1/2 in
    Edition of 75
    Hand-signed and dated by Dorothy Lichtenstein with the estate stamp
  • Roy Lichtenstein, Imperfect Diptych (C. 225), 1988
    Roy Lichtenstein
    Imperfect Diptych (C. 225), 1988
    21 color woodcut, screen print, and collage
    57 7/8 x 93 3/4 in
    147 x 238.1 cm
    8/45
    Signed numbered and Dated by the artist
  • Robert Longo, Untitled, 1990
    Robert Longo
    Untitled, 1990
    Three Color Lithograph on Arches Paper
    40 x 26 ins 101.6 x 66.04 cm
    Signed, Dated 90 Recto Lower right
  • Robert Longo, Max and Cindy, 2002
    Robert Longo
    Max and Cindy, 2002
    Lithograph on rives paper
    46 x 30 ins 116.84 x 76.2 cm
  • Robert Longo, Men in the Cities (Gretchen and Eric), 1985
    Robert Longo
    Men in the Cities (Gretchen and Eric), 1985
    Two lithographs in three black colors on Arches 350g rag paper
    71 5/8 x 35 7/8 in
    182 x 91 cm
    Edition of 48. Archive 1
    Signed in black ink on the accompanying Certificate of Authenticity, an unnumbered proof aside from the edition of 48, published by Edition Schellmann, Munich and New York, both framed.
  • Robert Longo, Joanna and Larry From Men in the Cities, 1985
    Robert Longo
    Joanna and Larry From Men in the Cities, 1985
    Lithograph on Rag Paper
    72 x 36 ins 182.88 x 91.44 cm
  • Robert Longo, James and Tillman (From Men in the cities), 2000
    Robert Longo
    James and Tillman (From Men in the cities), 2000
    Lithograph on Arches paper
    70 x 40 in
    177.8 x 101.6 cm
    HC 1/10
    Each signed dated and numbered in pencil
  • Robert Longo, Gretchen, 2005
    Robert Longo
    Gretchen, 2005
    Archival Pigment Print
    44 x 30 1/2 ins 111.76 x 77.47 cm
  • Robert Longo, Jules, 2005
    Robert Longo
    Jules, 2005
    Archival Pigment Print
    44 x 30 1/2 ins 111.76 x 77.47 cm
  • Robert Longo, Sandy from Men In the Cities, 1999
    Robert Longo
    Sandy from Men In the Cities, 1999
    Lithograph
    70 1/8 x 40 ins 178.12 x 101.6 cm
  • Robert Longo, Joanna, 1983
    Robert Longo
    Joanna, 1983
    Lithograph
    71 5/8 x 35 6/8 ins 182.12 x 90.93 cm
  • Robert Longo, Larry, 1983
    Robert Longo
    Larry, 1983
    Lithograph
    71 5/8 x 35 6/8 ins 182.12 x 90.93 cm
  • Jake Longstreth, L.A. Pines #1
    Jake Longstreth
    L.A. Pines #1
    25 color Silkscreen
    48 x 31 in
    23/50
  • Jake Longstreth, L.A. Pines #2
    Jake Longstreth
    L.A. Pines #2
    25 color Silkscreen
    48 x 31 in
    23/50
  • Jake Longstreth, L.A. Pines #3
    Jake Longstreth
    L.A. Pines #3
    25 color Silkscreen
    48 x 31 in
    23/50
  • Jake Longstreth, L.A. Pines #4
    Jake Longstreth
    L.A. Pines #4
    25 color Silkscreen
    48 x 31 in
    23/50
  • Nicola Lopez, fire
    Nicola Lopez
    fire
    Etching with carborundum,collagraph collage with overflow
    47 1/2 x 37 3/4 in
    120.7 x 95.9 cm
    Edition of 20
    Signed by artist
  • Nicola Lopez, Air, 2008
    Nicola Lopez
    Air, 2008
    Etching with Carborundum, Collograph and Collage with overflow
    47 1/2 x 37 3/4 in
    120.7 x 95.9 cm
    Edition of 20
    Signed by the artist
  • Nicola Lopez, Fire, 2008
    Nicola Lopez
    Fire, 2008
    Etching/carborundum/collage
    47 1/2 x 35 6/8 ins 120.65 x 90.81 cm
  • Nicola Lopez, Air, 2008
    Nicola Lopez
    Air, 2008
    Etching/carborundum/collage
    47 1/2 x 37 6/8 ins 120.65 x 95.89 cm
  • Ludo, Tulip Mania 1, 2015
    Ludo
    Tulip Mania 1, 2015
    Silkscreen with acrylic and spray paint
    36 x 27 ins 91.44 x 68.58 cm
  • Ludo, Tulip Mania 2, 2015
    Ludo
    Tulip Mania 2, 2015
    Silkscreen with acrylic and spray paint
    36 x 27 ins 91.44 x 68.58 cm
  • Ludo, Tulip Mania 3, 2015
    Ludo
    Tulip Mania 3, 2015
    Silkscreen with acrylic and spray paint
    36 x 27 ins 91.44 x 68.58 cm
  • Eddie Martinez, Scaffold, 2024
    Eddie Martinez
    Scaffold, 2024
    UV pigment print on 410gsm Somerset Tub Sized Radiant White paper with 3 silkscreen layers and matte silkscreen varnish

    Unframed: 23.62in (H) × 19.69in (W)
    Framed: 26.38in (H) × 22.44in (W) × 1.18in (D)
    26 3/8 x 22 1/2 x 1 1/8 in
    67 x 57 x 3 cm
    Edition of 200
    Individually signed and dated by the artist (bottom left)
  • Eddie Martinez, GPBF, 2022
    Eddie Martinez
    GPBF, 2022
    21 Colour Screenprint on Arches BFK White 300gsm.
    29.9 x 23.6 in
    Edition of 125
    Signed, titled and numbered by the artist
  • Eddie Martinez, Blockhead White, 2020
    Eddie Martinez
    Blockhead White, 2020
    Whiteout and ink on paper
    9 x 7 ins 22.86 x 17.78 cm
  • Eddie Martinez, Untitled, 2019
    Eddie Martinez
    Untitled, 2019
    Acrylic ink, white out, marker, and crayon on paper
    9 2/8 x 10 5/8 ins 23.5 x 27.3 cm
    Signed EM 19
  • Eddie Martinez, Untitled, 2019
    Eddie Martinez
    Untitled, 2019
    Sharpie, marker, and colored pencil on paper
    8 x 10 ins 20.32 x 25.4 cm
    Signed EM 19
  • Maser, Carnaval 1, 2020
    Maser
    Carnaval 1, 2020
    Relief , Acrylic Paint and collage
    60 x 36 ins 152.4 x 91.44 cm
  • Henri Matisse, White Alga On Red and Green Ground
    Henri Matisse
    White Alga On Red and Green Ground
    Serigraph
    30 x 22 ins 76.2 x 55.88 cm
  • Henri Matisse, Blue Nude II
    Henri Matisse
    Blue Nude II
    Serigraph
    30 x 22 ins 76.2 x 55.88 cm
  • Henri Matisse, Cover for Verve
    Henri Matisse
    Cover for Verve
    Serigraph
    30 x 22 ins 76.2 x 55.88 cm
  • Ryan McGinness, Stability-Monoprint, 2012
    Ryan McGinness
    Stability-Monoprint, 2012
    Lithograph
    39 1/2 x 27 ins 100.33 x 68.58 cm
    Hand signed in pencil lower right
  • Ryan McGinness, Soma/monoprint, 2012
    Ryan McGinness
    Soma/monoprint, 2012
    Lithograph
    39 1/2 x 27 ins 100.33 x 68.58 cm
  • Ryan McGinness, Soma-Monoprint, 2012
    Ryan McGinness
    Soma-Monoprint, 2012
    Lithograph
    39 1/2 x 27 ins 100.33 x 68.58 cm
    Hand signed in pencil lower right
  • Harland Miller, Demons Are Forever, 2024
    Harland Miller
    Demons Are Forever, 2024
    Etching with relief printing and extensive hand finishing
    49 3/4 x 34 in
    126.5 x 86.4 cm
    Signed by the artist on the front, numbered on the Verso
  • Harland Miller, Tonight We Make History (P.S. I can't be there), Lilac, , 2024
    Harland Miller
    Tonight We Make History (P.S. I can't be there), Lilac, , 2024
    Etching with silver chine collé and hand-finishing by the print studio
    42 1/2 x 30 1/2 in
    108 x 77.5 cm
    edition of 25
    Signed by the artist on the front, numbered on the reverse
  • Harland Miller, Narcissist, 2021
    Harland Miller
    Narcissist, 2021
    Etching Relief
    84 x 57 in
    213.4 x 144.8 cm
    Edition is 50
    Signed and dated.
    numbered on the verso
  • Harland Miller, Hell , 2020
    Harland Miller
    Hell , 2020
    Woodcut
    67 1/2 x 47 in
    171.4 x 119.4 cm
    Edition of 50
    Signed on the front and numbered on the Verso
  • Harland Miller, LUV, 2022
    Harland Miller
    LUV, 2022
    Woodcut
    40 3/8 x 27 3/4 in
    102.5 x 70.5 cm
    Edition of 50
    Signed by the artist on the front and numbered on the verso
  • Harland Miller, Hate's Outta Date, 2022
    Harland Miller
    Hate's Outta Date, 2022
    Screenprint
    9 3/8 x 27 9/16 in.
    57/125
    Signed and numbered
  • Harland Miller, Thought After Filthy Thought, 2019
    Harland Miller
    Thought After Filthy Thought, 2019
    Etching with Relief printing
    58 4/8 x 35 2/8 ins 148.84 x 89.66 cm
    Signed by the Artist
  • Yue Minjun, Laughing W/ Horns, 2008
    Yue Minjun
    Laughing W/ Horns, 2008
    Woodcut
    35 1/2 x 46 1/2 ins 90.17 x 118.11 cm
  • Joan Miro, Les Voyants (The Seers) M. 663, 1971
    Joan Miro
    Les Voyants (The Seers) M. 663, 1971
    Color Lithograph
    25 x 19 1/4 in
    63.5 x 48.9 cm
    51/75
    Hand signed in pencil by the artist
  • Joan Miro, Barcelona, 1972
    Joan Miro
    Barcelona, 1972
    Color etching/aquatint carborundum
    42 x 28 ins 106.68 x 71.12 cm
  • Joan Miro, Untitled, 1975
    Joan Miro
    Untitled, 1975
    Lithograph
    35 1/2 x 24 1/2 ins 90.17 x 62.23 cm
    Hand signed in pencil lower right
  • Ernesto Montejano, Tex-Mex, 2014
    Ernesto Montejano
    Tex-Mex, 2014
    Screenprint
    24 x 18 ins 60.96 x 45.72 cm
  • Ernesto Montejano, Live in the Present, 2014
    Ernesto Montejano
    Live in the Present, 2014
    Screenprint
    24 x 18 ins 60.96 x 45.72 cm
  • Mr., Making Things Right, 2006
    Mr.
    Making Things Right, 2006
    Offset Lithograph
    23 1/2 x 35 1/2 ins 59.69 x 90.17 cm
  • Vik Muniz, Vik, 2003
    Vik Muniz
    Vik, 2003
    Lithograph/screenprint
    50 x 40 1/8 ins 127 x 102.23 cm
  • Vik Muniz, Vik, 2003
    Vik Muniz
    Vik, 2003
    Photogravure on silk colle'
    52 2/8 x 41 1/2 ins 132.72 x 105.41 cm
  • Ben Murphey, $8.00 (Blue on Red), 2007
    Ben Murphey
    $8.00 (Blue on Red), 2007
    Screenprint/acrylic On Canvas
    63 x 44 ins 160.02 x 111.76 cm
  • Ben Murphey, $8.00 (Sliver on black), 2007
    Ben Murphey
    $8.00 (Sliver on black), 2007
    Screenprint/acrylic On Canvas
    63 x 44 ins 160.02 x 111.76 cm
  • Dabs myla, Metaphysical Departure, 2022
    Dabs myla
    Metaphysical Departure, 2022
    Lithograph
    40 x 27 1/2 inches
    Edition 30
    Signed & numbered
  • Dabs myla, The Great Destiny, 2022
    Dabs myla
    The Great Destiny, 2022
    Lithograph
    40 x 27 1/2 inches
    Edition 30
    Signed & numbered
  • Dabs myla, Double Dream, 2022
    Dabs myla
    Double Dream, 2022
    Lithograph
    40 x 27 1/2 inches
    Edition 30
    Signed & numbered
  • Dabs myla, Metaphysical Interior, 2022
    Dabs myla
    Metaphysical Interior, 2022
    Lithograph
    40 x 27 1/2 inches
    Edition 30
    Signed & numbered
  • Richard Nadler, Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Richard Nadler
    Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Richard Nadler, Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Richard Nadler
    Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Richard Nadler, Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Richard Nadler
    Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Richard Nadler, Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Richard Nadler
    Welcome to Miami: A Symphony of Colors and Shapes, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Richard Nadler, Is This Spring?: A Celebration of Nature's Awakening, 2023
    Richard Nadler
    Is This Spring?: A Celebration of Nature's Awakening, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm with hand-torn Deckled Edge
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Richard Nadler, Is This Spring?: A Celebration of Nature's Awakening, 2023
    Richard Nadler
    Is This Spring?: A Celebration of Nature's Awakening, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm with hand-torn Deckled Edge
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Richard Nadler, Is This Spring?: A Celebration of Nature's Awakening, 2023
    Richard Nadler
    Is This Spring?: A Celebration of Nature's Awakening, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm with hand-torn Deckled Edge
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Richard Nadler, Is This Spring?: A Celebration of Nature's Awakening, 2023
    Richard Nadler
    Is This Spring?: A Celebration of Nature's Awakening, 2023
    Archival ink on Hahnemühle German Etching Paper, 310gsm with hand-torn Deckled Edge
    24 x 24 in
    61 x 61 cm
    Edition of 10
    Signed & dated
  • Cassi Namoda, Ernesto finds potential on the other side, 2022
    Cassi Namoda
    Ernesto finds potential on the other side, 2022
    23 Colour Screenprint with pearlescent inks on Somerset Radiant White Satin 410gsm.
    23.6 x 29.9 in
    Edition of 75
    Signed and dated by the artist
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